走向国际艺坛的彭桂林

艺术家彭桂林

彭桂林作品被国际友人收藏

〖艺术简介〗

彭桂林，男，汉族，1955年6月出生。大专学历，先后在名师，赵洪武，陈旧老先生指导下学习绘画和书法。现为市书法家协会会员，自幼受其家父书画艺术的影响和开蒙，喜爱书画艺术，很崇拜艺术大师，李仲元，王梦庚，姚哲成，佟铸等大师。从练习开始以欧阳询九成宫入手，间架结构，后又从王羲之的兰亭序，圣教序，着重书写字帖里每个字的飘逸，轻重缓急，每一笔的变化和技巧，字与字的大小粗细联系，疏密疏朗和毎个字的变化，给人一种赏心悦目的艺术价值，正是如此每当拿起笔的时候，想起这几十年来的辛勤耕耘，只有努力，才有收获。

多次参加省市区及全国性书画展览并获奖，作品受到了专家，学者好评，作品多次在媒体以及百度，腾讯等网站报道，并建立个人官方网站，2021年作品以国礼赠送国际友人、大使馆等收藏，2022年正式被当选香港国际艺术家协会辽宁省分会会长。

积极参加社会公益事业，帮残助残募捐活动以及佛教事业的发展，为我们祖国的伟大复兴祖国文化传承创新献力量。

Peng Guilin, male, Han nationality, born in June 1955. College degree, studied painting and calligraphy under the guidance of famous teachers, Zhao Hongwu and old gentleman successively. He is now a member of the city calligrapher Association. He has been influenced by his father's painting and calligraphy since childhood. He loves the art of painting and calligraphy and admires art masters, such as Li Zhongyuan, Wang Menggeng, Yao Zhecheng and Tong Zhu. Starting from the practice of Ouyang Xun Jiucheng Palace, interframe structure, and then from Wang Xizhi's Blue Pavilion Preface and Holy teaching preface, I focused on the elegance and urgency of each word in the calligraphy, the changes and skills of each stroke, the connection between the size and thickness of the words, the density and the changes of each word, giving people a pleasant artistic value. It is so that whenever I pick up the pen, Think of these decades of hard work, only hard, only harvest.

He has participated in provincial, municipal and national painting and calligraphy exhibitions for many times and won awards. His works have been well received by experts and scholars. His works have been reported in the media and websites such as Baidu and Tencent for many times, and his personal official website has been established.

Actively participate in social welfare undertakings, help the disabled fundraising activities and the development of the Buddhist cause, for the great rejuvenation of our motherland cultural inheritance and innovation contribution.

〖作品赏析〗

书画作品系列

彭桂林作品赏析

彭桂林作品赏析

彭桂林作品赏析

彭桂林作品赏析

彭桂林作品赏析

彭桂林作品赏析

艺术评论——彭桂林

艺术魅力在于随感而发、随笔而出、笔随心动、情景交融，有写生的素材、有创作的意识、有把握布局的才智、有驾驭巨制的能力，这是修养、功力、技法、认识与自然生活撞击所迸发出的结晶。那线条的粗细、干枯，点画的浓淡、疏密，随心所欲，运用之妙，存乎一心。

宋朝就有诗赞美荷花：出淤泥而不染，濯清涟而不妖;寓意浊世中，独守纯洁、清白。而鲤鱼又有鲤鱼跳龙门之意，象征富贵，有余而富足，荷花鲤鱼寓意美好，二者结合，简直就是大自然的恩赐，画家的巧思妙想，堪称绝美。荷花鲤鱼寓意之美，还在于看见墨绿的荷叶舒展，露珠滚动，荷花高洁优美，素雅动人，鱼儿潜游，心中就觉得舒服，非常宁静，可谓非常享受，这也许就是国画花鸟画的魅力所在，不仅陶冶情操，还有净化心灵的作用。

拜观彭先生的作品，给人一种酣畅淋漓之感。意空灵，图壮阔，听松涛阵阵，观雾霭茫茫，感受云卷云舒。亦有“鸢飞戾天者，望峰息心，经纶世务者，窥谷忘反”之超脱，又如山中高士，俯仰间，阅尽世间万物轮回，给人酣畅淋漓之感。他的山水画作，一草一木、一山一石皆若风骨外化、灵性活现，又似云蒸霞蔚，气象升腾。蓦然感受到：生命在律动，自然在游走，真与善、灵与魂，在参差渗透，竞相净化，身心如沐春风，心田如饮甘霖。

彭先生的人物画，结构紧凑、线条简洁、色彩明快。善于运用以小见大、以实见真的表现手法，选取小人物、小题材作为表现对象，通过大场景、大场面来展现波澜壮阔的社会变革和时代进步，用朴实、诚实来展现真实和真情，将个人的内心独特的感受通过艺术形象的塑造进行表达和转述。

彭先生笔下的写意墨荷，水墨点染，笔墨粗简，构图取势简洁疏朗，笔法有张有弛、有快有慢，用别具丰神的艺术语言，一展荷之亭亭玉立，开朗而舒展，尽情地表现了自己对荷花的独特感悟，清新灵动，水韵绵绵，巧妙创造出了心灵荷花意象，散发出浓浓的生命诗意。他的水墨荷花动中有静，静中有动，表现出动静相成的艺术审美境界，他在笔墨语言形态上进行了新的探索和追求，追求书法笔意，水墨意境，结构张力，使作品的审美内涵显得更为空灵，更有气韵，由此而产生禅化的意境。

彭桂林先生的作品倾情于山水，钟情于笔墨，画作中，形态浑厚苍润，气势恢宏中正。他用水、墨与彩的有机融合，使画面喷发出极具冲击力的视觉感受，真可谓气势凌云，波澜壮阔。他的笔墨随情节而走，有法而无法，有我而忘我，不觉然而然。观看他的画作如置身自然，环而望之，似梦非梦之中，好不惬意洒脱。

唯有君子风，画有君子魂，不求繁中锦只望旷出新。师法不拘泥，规矩自碾尘，各中有滋味，知者度艰辛。书画千秋业，圣哲百态欣，留得新意在，何愁不争春。

中国书法是东方文化一颗璀璨夺目的明珠，是一种高雅的艺术，欣赏书法陶冶情操，给人以美的享受。尉迟故里涌墨客，门神文化展人风。

曾很长时间无数次地拜读他的书法作品，气势飞动的行草，遒劲隽美的行楷使笔者过目难忘，回味无穷，带着期待的心情，一睹庐山面貌，他似火般的热情，扑面而来，似童般的真诚，让笔者与他心灵相通，犹如数年交往的老友，娓娓谈说他对书法艺术的深入理解和独到观点，使笔者体悟许多真知，并深受之惠。

先生下笔如行云，似流水，神采飞扬，笔锋游动，擒纵驰张，上下左右，点画间，无一处含糊、懈怠，法度尽在他的指腕之间。其书写风格，柔中带刚，变化多姿，传统功力深厚，结体端庄，飘逸清秀，气于贯通，笔墨酣畅淋漓，继承祖国文化遗产，发扬古代书法艺术优良传统，可谓称绝。

彭桂林象山的书法作品博采众长，文采焕然，每一个字都让人流连忘返,行云流水的作品给人感觉特别舒服。他灵活多变地正确地运用和处理粗细、向背、疏密、开合、欹侧、布白、收放、参差、大小，接应等原则，使作品不但爽朗痛快，而且又清新自然。字里行间可以体会到一种气势、一种包容、一种博大等感觉。具有较高的收藏价值。

愿彭桂林先生在书法艺术道路上，笔耕不辍，初心不渝，用精妙的笔法，传承民族文化，墨染绚丽人生，让中华民族传统文化瑰宝熠熠生辉!绽放光彩!

The charm of art lies in the fact that it comes from the feeling, the writing comes from the heart, the pen moves according to the heart, and the scene blends. It has the materials for sketching, the consciousness of creation, the intelligence of having control over the layout, and the ability to control the masterpiece. This is the crystallization of cultivation, skill, technique, understanding and the impact of natural life. The thickness of the lines, dry, dot painting, thick and dense, follow one's will, use the wonderful, forget oneself.

The Song Dynasty has a poem to praise the lotus: out of the mud but not dyed, Zhuo Qinglian but not demon; It means keeping pure and innocent in a troubled world. The carp has the meaning of the carp jumping longmen, symbolizing wealth, abundance and abundance, lotus carp meaning beautiful, the combination of the two, is simply the gift of nature, the painter's clever ideas, can be called beautiful. Lotus carp implied beauty, but also to see the dark green lotus leaf stretch, dew rolling, lotus noble beautiful, elegant and moving, fish swimming, the heart feels comfortable, very quiet, can be described as very enjoy, this may be the charm of Chinese painting flower and bird painting, not only edify sentiment, and the role of purifying the mind.

Viewing Mr. Peng's works, give a person a sense of dripping. The mind is ethereal, magnificent, listen to bursts of songtao, view the mist boundless, feel the clouds. There is also the "kite fly surly sky, looking at the peak of the heart, the world affairs, watching valley forget anti" transcendence, and in the mountains, lofty, read the reincarnation of all things in the world, give a person the feeling of dripping. His landscape paintings, a tree, a tree, a mountain and a stone are like the externalization of character, spiritual life, but also like clouds steaming Xianyu, rising weather. Suddenly feel: life in rhythm, nature in the walk, true and good, spirit and soul, in the jagged penetration, competing purification, body and mind like spring breeze, heart like drinking rain.

Mr. Peng's figure painting, compact structure, simple lines, bright colors. Good at using the small to see the big, to see the real expression techniques, select small people, small subjects as the object of performance, through big scenes, big scenes to show the magnificent social change and progress of The Times, with simple, honest to show the truth and truth, the individual's unique feelings through the creation of artistic image to express and convey.

Mr. Peng's freehand brushwork is simple, brushwork is simple, composition is simple, and brushwork is relaxed, fast and slow. With unique artistic language of abundant spirit, he displays his unique feeling of lotus, cheerful and stretch, which is fresh and vivid, and the water rhyme is continuous. He cleverly creates the image of lotus in the soul and exudes a thick poetic life. His ink lotus has static movement and static movement, showing the artistic aesthetic realm of dynamic and dynamic complement each other. He has carried out new exploration and pursuit in the form of pen and ink language, the pursuit of calligraphy brushwork, ink artistic conception, structural tension, so that the aesthetic connotation of the works appears more ethereal, more elegant, thus producing the artistic conception of Zen.

Mr. Peng Guilin's works are devoted to landscape and ink. In his paintings, the forms are rich and smooth, and the momentum is magnificent and the middle is right. His organic integration of water, ink and color, so that the picture erupts a very powerful visual feeling, really can be described as the momentum of the clouds, magnificent. His pen and ink follow the plot, there is law but not, there is me and forget myself, unconsciously. Looking at his paintings is like being in nature, looking at them, like a dream without a dream.

Only the gentleman wind, painting a gentleman soul, do not seek numerous brocade only look Kuang new. The teacher is not rigid, the rules since grinding dust, each has a taste, know the degree of hardship. Calligraphy and painting Qiuqiu industry, sages and philosophers, keep new ideas in, why worry not to fight for spring.

Chinese calligraphy is a dazzling pearl of Oriental culture. It is an elegant art. Appreciating calligraphy cultivates sentiment and gives people the enjoyment of beauty. Yuchi hometown gushing ink, door god culture exhibition wind.

Have read his calligraphy works for a long time countless times, the momentum of the dynamic practice, the author has passed unforgettable, with endless taste, with the mood of expectation, a glimpse of the mountain, he is like a fire of enthusiasm, coming, like a child of sincerity, let the author and he are connected, like years of old friends, He talked about his deep understanding and unique views of calligraphy art, which made the author understand a lot of true knowledge and deeply benefit.

His strokes are like clouds, like running water, and his spirit is flying. His strokes are swimming, and his body is stretched, up and down, and there is no ambiguity or slack between his fingers. Its writing style is soft and rigid, varied and colorful, with profound traditional skills, dignified body, elegant and graceful, Qi through, pen and ink flowing and dripping, inheriting the cultural heritage of the motherland, carrying forward the fine tradition of ancient calligraphy art, which can be said to be unique.

Peng Guilin Xiangshan's calligraphy works learn from all others, the style is refreshed, every word makes people linger, and the works of flowing clouds give people a special feeling of comfort. He flexibly and changingly correctly uses and handles the thickness, back, density, opening and closing, according to the principles of the intergration, cloth white, release, spacing, size, contact, etc., making the work not only refreshing and pleasant, but also fresh and natural. Between the lines can feel a kind of momentum, a kind of inclusive, a kind of broad feeling. It has a high collection value.

May Mr. Peng Guilin never stop writing on the road of calligraphy art, unswervingly pursue his original intention, inherit national culture with exquisite brushwork, dye colorful life with ink, and make the traditional cultural treasures of the Chinese nation shine! Shine!

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